What We’re Watching This Pride Month: LGBTQ+ Film & TV Recommendations from the Post Super Team

This Pride Month, the Post Super team shares some of their favourite LGBTQ+ films and TV shows, celebrating the stories, characters and representation that continue to inspire, move and resonate with audiences around the world.

Jun 11

Pride Month is a time to celebrate LGBTQ+ voices, stories and experiences. One of the most powerful ways we can do that is through film and television.

From heartwarming coming-of-age stories to thought-provoking dramas, LGBTQ+ representation on screen continues to spark conversations, challenge perspectives and help people feel seen.

To celebrate Pride Month, we asked the Post Super team to share some of their favourite LGBTQ+ films and TV series. Here’s what they’re watching and recommending…

It's a Sin is a very powerful and moving series! The soundtrack is fantastic, with the music perfectly capturing the energy and emotion of each moment. I loved how the characters were developed throughout the story, they felt real, relatable, and by the end I was completely invested in their lives.

The editing style was another standout feature, making you feel like you were right there alongside the characters, experiencing their highs and lows with them. While it's definitely a tear-jerker, it's also full of warmth, humour, friendship, and joy. The emotional impact stays with you long after the final episode, and that's what makes it such an unforgettable piece of television. I would like to shout out the brilliant Post Management team - Post Production Supervisor Claire Davies Bell and Post Production Coordinator Nick Baker and Post Producer Amy Gill - Thank you for making this happen!

I Saw the TV Glow is one of the most unique and thought-provoking films I’ve watched. It blends elements of psychological horror, coming-of-age storytelling, and nostalgia in a way that feels both unsettling and deeply emotional.

What stayed with me most was how powerfully it explores identity, belonging, and the feeling of not quite fitting into the world around you. Beneath its surreal and sometimes eerie surface is a story about self-discovery and the courage it takes to embrace who you truly are. The film captures feelings of isolation and longing with incredible sensitivity, making it resonate long after the credits roll.

For Pride Month, I think it’s a particularly meaningful watch. While the story can be interpreted in different ways, many viewers within the LGBTQ+ community have connected with its themes of self-acceptance, authenticity, and finding the confidence to live as your true self. It’s a film that encourages reflection and conversation, and one that continues to spark discussion long after you’ve seen it.

It may not be a traditional Pride film, but its exploration of identity and personal truth makes it a powerful and memorable addition to the conversation.

Call Me by Your Name is one of my favourite films of all time. What I love most about it is how completely it pulls you into its world. Rather than simply watching a story unfold, it feels like you’re watching someone look back on a cherished memory. Set during a sun-soaked Italian summer, it captures first love with so much tenderness and detail. Elio and Oliver’s relationship isn’t perfect, but that’s what makes it so powerful. You empathise with them completely and can’t help but root for them as their story unfolds.

Visually, the film is stunning. The cinematography, colour palette, costume design, and art direction all work together to create a world that feels warm, nostalgic, and almost dreamlike. The sound and music departments are another standout feature. Every track feels perfectly placed, and I genuinely listen to the soundtrack on Spotify over and over again. Huge props to the sound and music teams for creating something so memorable and emotionally impactful.

For Pride Month, I think it’s a beautiful example of LGBTQ+ storytelling that centres love, self-discovery, and human connection. It’s a film that stays with you long after the credits roll, and one I find myself returning to time and time again.

I’d also like to give a shout-out to Post Production Supervisor Sacha Guttenstein and the wider post production team for helping bring this incredible film to life.