For more than four decades, Kostas Theodosiou has been shaping the final image of major motion pictures from his grading suite at FotoKem. From the days of film timers and Hazeltine color analyzers to modern HDR workflows and large-format IMAX film-outs, his career spans the full evolution of motion picture finishing. Yet his philosophy remains rooted in the discipline of traditional film timing: red, green, blue, and density.
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