Bleat

BLEAT provides theatrical Dolby Atmos mixing and colour grading for scripted dramas and documentaries, as well as online conforming for high-end television. The six rooms at Bleat are all Dolby Atmos certified and comprise two luxurious theatrical Dolby Atmos theatrical mix stages as well as four hybrid, multifunctional suites that may be utilized for colour grade, online and conform and/or Dolby Atmos HETV. The rooms are fully connected, making it possible to share live projects as they progress. 

Whether you are a director, performing talent, or creative operator, Bleat is an ideal location to come together and master sound and picture finishing and even take over the whole building for a particular project, and the editing rooms can be used in isolation for complete post-production for a documentary. 

There are two generously sized theatres within the Bleat, both of which have high ceilings. They are both equipped with an Avid S6 audio console that can be configured based on preference. They are both equipped with 4K HDR projection as well as outstanding Alcons Audio speaker monitoring. 

This theatre has been designed to accommodate the final mix and premium ADR in a plush, living room-style setting. ADR for our theatrical productions is old school, projected ADR in which we can accommodate crowds of up to 15 people using the Avid S6 in our main rooms. There is no doubt that engineers know that you can hear the glass in a VO booth. In order to perform ADR effectively, you need to have a large, properly treated space. This is an excellent use of these theatres.” 

Tristin’s business partner and wife, Sarah Withers began in music management with Sade and then Rough Trade Records.  

Tristin Norwell has a rich history as a music composer, producer, mixer, arranger, and musician, working with David Holmes on the music score for the Killing Eve series and Yann Demange’s critically acclaimed ’71 and with Adrian Corker for Tin Star and many more.

Other members of the team include David Turner (Halo), our commercial director; Saxon Greenep (Splice, Jigsaw), who is the head of Audio; George Elliot (Halo), the senior Mix Technician; Tatiana Shelbourne, Operations and Events Coordinator, along with our Post Coordinator, Max Norwell.

• Types of Production: Film, HETV & Drama, Factual, Non Scripted, Comedy
• Mixing Theatre Types: Home Ent Stereo, Home Ent 5.1, Theatrical 7.1, Dolby Atmos Theatrical
• Rerecording Mixer Included
• Sound Editors Supplied
• Cueing Software: ADR Manager
• Cueing System: Wipes, Beeps, On Screen Text
• Recording - Sample Rate: 48 kHz, 96 kHz, 192 kHz
• Full Folley Package
• Work Location Options: In Facility
• ADR/VO Theatre TypeADR Theatre (Inc Control Room), ADR Theatre (With Seperate Control Room), Crowd ADR Theatre
• Video Conferencing: Skype (Picture & Sound), Zoom
• Access & Security: 24 Hr Access, 24 Hr Service, Swipe Card or PIN Access, Security Cameras, Cameras

Microphones

Daw's Supplied

Primary Daw Used

Mixing Consoles

Mixing Theatre Types

Picture & Grading